ready for framing

Earlier this year I went to Rockhampton, Queensland for a 3 day workshop with the lovely, and generous Cas Holmes. I say generous because she shares her wisdom and experience so freely. She’s one of those tutors who talks about their process of why the the way work, works for them . . . no imposition, just their practice in action.

Since returning from Rockhampton, with a side trip to Mackay where I saw Peta Lloyd’s book Black Saturday at the local art gallery (a very moving artwork), I’ve been somewhat busy what with buying and selling houses, moving towns and such. I have however managed to complete this experimental piece as a follow-up . . . along with the 100 encaustic pieces.

Wendy @ Late Start Studio 2018.
Untitled: textiles, paper and stitch. 145 x 410mm

I used only what I had. Muslin, calico, hessian, some eco-prints of rose leaves, paint stained baby wipes, embroidery cottons and linen thread.

There is something wonderful about French knots. The care required and the repetition is soothing.