my wonderful news

I was planning on writing a post about my news and I began wondering about what makes some information news.  I could tell you about something you didn’t know and that would be news to you but perhaps not the rest of the world.  Or some event may be news but insignificant . . . is it still news?  And we talk about breaking the news and even breaking news . . . telling it as it happens.  So if you read about a recent event and are not at all surprised by it . . . is that news?  I digress.  This is news, my news, and while a turning point for me, not important in the great scheme of things.

If you read my blog closely, you may not be at all surprised by my news . . . which being a week old now is not news at all I guess.  It was certainly news from left field when I announced it at work . . . that I would be there for just 6 weeks longer.

Yes folks, I have handed in my notice at the day-job.  I have handed in my resignation before I get stale, before I don’t want to be there at all because I find myself wanting to be doing other things all day.

Most people have assumed I’m retiring becuase I am of an age to do so, or perhaps I have another paid job to go to but neither of those are true.  There is nothing retiring about me or indeed any of the members of my family.  So having no further paid work planned, just working at play, what do I call myself when I fill in a form?  Am I still an educator? Teacher?   Probably but just not employed in that capacity.

I will call myself a consultant.  I am a Creative Leisure Consultant!  And f you would like to consult me about how to spend time creatively . . . feel free.  I shall be liberal in my services.  Payment will be in laughter, for both of us, I will offer extended consultations is you bring wine, I will travel to your town if you provide accommodation and I will bring you a shining example of how to live a sometimes challenging life, and be smiling and, by turns, satirical and optimistic as I begin to contemplate the future.  According to my mother you don’t begin getting old until your 80s and she thought she might be old when she was about 100 . . . maybe . . . so I have a good few years before that happens.

I have good genes, good health, a good attitude and I intend to have few regrets although I may own up to a few remaining dreams.

Reaching out to grasp the furture.  A map completed in a recent workshop with Jill Berry organised by Fibre Arts NZ Wendy @ the Late Start Studio

Reaching out to grasp the furture. A map completed in a recent workshop with Jill Berry organised by Fibre Arts NZ
Wendy @ the Late Start Studio

 

a little self-exposure?

I’m very quick to say “Yes!” or “Why not?” and when Natasha White asked me to take part in a blog hop I didn’t hesitate and fortunately, I haven’t suffered from cold feet even though the questions haven’t been particularly easy to answer.

What am I working on?   As usual I’m working on a number of things . . . or should I say I have several projects on the go but like most people with one pair of hands I can only work on one thing at a time: more and more I am convinced that multi-tasking is a myth put about to make us feel like we should be producing more. I cannot do one thing well and be thinking about something else . . . maybe I can think about something else while painting the house or pulling weeds or hanging out the washing but I cannot weave or paint or sew without concentration.

So while I have a quilt started, a set of Inner Hero cards on the go, been messing around with watercolour for a workshop with Tammy Garcia, exploring soft fibre sculptures, darning knees in tights for my youngest grandheART and me, knitting a jumper for my oldest grandheART, painting some terracotta pots for the garden, assembling some driftwood sculptures for the garden, have a project from Jill Berry’s new book Map Art Lab started (buy the book it’s fantastic!), my main focus is designing a pattern for the taaniko weaving on my whatu tauri. The translation for that is, I am designing the taaniko (Maori twined weaving) on a sampler. The sampler is part of a weaving/raranga course I am taking. I need to choose a major focus for the rest of the year and thus far I have at least 6 wonderful ideas recorded! What am I working on indeed!

There is no 'give' in this fabric!

The unfinished Chinese silk quilt

Exploring soft sculptures

IMG_2958

A kete waikawa for my daughter-in-law’s birthday.

Recent postcards

Recent postcards – sorry about the focus.

Creatively darning knees in tights - why not?

Creatively darning knees in tights – why not?

Flax/harakeke boiled and drying . . . still to be dyed and woven into . . . who knows what?

Flax/harakeke boiled and drying . . . still to be dyed and woven into . . . who knows what?

The question assumes I’m working on one thing . . . not possible!  And have I mentioned I have a day-job?  That’s a whole lot of creative problem solving too!

How does my work differ from others of its genre?   A genre? Me? Yeah, unless ‘making/painting/weaving stuff’ is a genre, nah. I do too many things and admire wildly differing styles to settle on one thing . . . and I like it that way.

Why do I write/create what I do?   The answer is easy . . . I can’t not create. It’s simple really, and you either understand the urge or you don’t. I love that feeling of taking raw materials and making something out of them that is useful or beautiful or, joy of joys, both! I get a buzz out of seeing something rise up out of my hands and particularly learning a new set of skills.

How does your writing/creating process work?   I’m not sure I have a process but if I do, it starts with and idea bursting forth in a rush and a roar, a fit of spontaneity and enthusiasm, and I immerse myself in the project. My internal clock is disregarded until I suddenly realize I’m hungry or thirsty or, even more inconvenient because I can’t ignore it, I need the bathroom. If I can’t work until I drop, sleep and then rise and throw myself back into a project because the day-job calls, I might lose focus or worse, the inspiration to do something entirely different might strike.

Does that sound undisciplined? I guess I am but that’s okay.

A question not on the blog hop is what do I want to achieve? That, for me, is by far the hardest question to answer. I love to learn new things . . . for me learning equals fun. That joy of stretching myself and trying a new activity, of mastering the skills without becoming highly competent is fine by me. And I’d like to use my teaching skills to share this joy of making something from almost nothing. I think most of all what I want to achieve is to show my children and my grandheARTs (my muses) that creativity in some form is a life-long, joyous, satisfying, essential ingredient in life.  And one day perhaps, I’d like to take part in an exhibition of some kind . . . even if it’s just a local café.

And now, to whom do I pass on the blog hop baton? I have asked three wonderful women who are not only wonderful artists in their own right but also generous women in their encouragement of others.

Violette Clark’s blog Creative Juice was the very first I began to follow . . . I felt as if I knew her although we have never met.   Her book Journal Bliss started me off on a journey. Violette is an artist, author and an Idea Factory/catalyst who loves helping women brainstorm creative ideas for their business. She lives in a purple magic cottage in B.C. Canada.  Yes, really, you can check it out here on You Tube

Diana Trout is highly creative and generous artist, instrumental in my late start as an artist. Her book, Journal Spilling, began my exploration of watercolours.  She has wonderful workshops and one day, I am determined to attend one in person!  Diana’s blog is another favourite.

And third? Coffee and Quinn Creative starts my day! Her blog with its wise commentary on life and creative adventures provides a venue for community of wonderful people to come together.   Quinn McDonald is an outsider artist, writer, and certified creativity coach. Her book, The Inner Hero Creative Art Journal touches on all those identities.

Of course there are more artists I could have asked because of the role they played in getting me here on the web . . . the creatively prolific, enthusiastic and generous Tammy Gracia is constantly being referred to at the Late Start Studio and her quote is up there on my header. . . Jill Berry who pushed me to explore some colours that I thought I wouldn’t want to use when I took a week-long workshop with her recently . . . and then there’s . . . oh!   I do hate limiting myself.   I had just three choices.

Check out the blogs now and especially again on Monday the 19th of May when these three lovely women will answer the same questions . . . perhaps not the last one though . . . that was a challenge I gave myself.

weaving up a . . . what?

I rather like the idea of making objects that are functional, it’s a hang up from childhood when the refrain of “make yourself useful” or “do something useful” was etched into my brain.  I also like to make gifts so when it came to my daughter-in-law’s brithday I decided to use my developing skills to make a basket that could be used for storing some firewood . . . that was the intention.

Some how it tunrned out to be a lot bigger than I intended, more like a laundry basket perhaps.Image

It’s about 75 cms or 30 inches high and made from untreated flax so as it dries it will shrink and turn a brownish gold (I think).

Although it didn’t turn out at all as I intended, due to my ‘developing’ skills, i.e. I did’t really know what I was doing but went ahead and did it anyway just like always.

Yo loved it.